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  <id>tag:dreamwidth.org,2009-05-18:358375</id>
  <title>Bodging my way through life</title>
  <subtitle>Welcome to my nightmare</subtitle>
  <author>
    <name>bodger</name>
  </author>
  <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/"/>
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  <updated>2018-05-21T12:35:14Z</updated>
  <dw:journal username="bodger" type="personal"/>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:23864</id>
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    <title>If men menstruated instead of women</title>
    <published>2018-05-21T12:34:29Z</published>
    <updated>2018-05-21T12:35:14Z</updated>
    <category term="humour"/>
    <dw:music>Savin' the Day – Alessi Brothers</dw:music>
    <dw:mood>amused</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>3</dw:reply-count>
    <content type="html">Menstrual leave would be legally required and automatic.  Sports teams would use birth control pills to synchronize their cycles, and would play a three weeks on, one week off schedule.  Many fans would also synchronize to their teams.
&lt;p&gt;
Like all differences between the sexes, it would be emphasized.  More flow would be manlier.  More frequent flow would be manlier (and they'd take more frequent blood leave, for sure).  They'd brag about it.  “Hey dude, your bloodrage is coming, are you going to go with your already-stained jeans?”  “What, every pair of jeans I own, you mean?”
&lt;p&gt;
There wouldn't be “masculine hygiene” products.  They'd be Man Time, Crimson Tide, or Mighty Flow products.  They'd have sports figures and trucks pictured on the packages and have names like “Blood Dam” and “Flow Caisson”.  Products wouldn't have tame names like “tampon” or “sanitary napkin”, but be “flow blockers”, “blood sponges”, “grunt pads” and the like.  They'd be heavily subsidized, available everywhere, and right in the front of every store with liquor and chocolate (no man with cramps should have to wend his way to the back of the store to get his monthly supplies).
&lt;p&gt;
Men would brag about how fast they could finish with their flows by flexing their mighty uteri (but still have excuses to always take all five days of flow leave).
&lt;p&gt;
Kegeling would be an Olympic sport.
&lt;p&gt;
PMS (pre Man-Time Syndrome) would be an excuse for … everything.
&lt;p&gt;
Women would be mocked for not menstruating (“Frail females couldn't deal with this amount of pain and STAND, let alone function, especially while losing QUARTS of blood EVERY DAY.”)
&lt;p&gt;
When no one was looking, menstruating men would just sob in the dark, bemoaning their horrible, unfair fate and popping Virodol® (Midol + Vicodin) like candy.
&lt;p&gt;
There would be round-the-clock ice cream delivery.
&lt;p&gt;
“Man cave” would have an entirely different meaning.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=23864" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:23664</id>
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    <title>What does "more modern" mean here?</title>
    <published>2017-05-25T21:57:22Z</published>
    <updated>2017-05-25T21:58:07Z</updated>
    <category term="electronics"/>
    <dw:music>Star Trek II: main title – James Horner</dw:music>
    <dw:mood>amused</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I got an email hint today reading "The LM741 is useful for many beginner circuits but if you are having a lot of trouble getting it to behave try upgrading to a more modern TL072."  This makes sense, as far as it goes, but the 741 dates from 49 years ago, and the TL072 is only slightly more modern, introduced 42 years ago.
&lt;p&gt;
These parts are known as "op-amps", short for "operational amplifiers".  The concept has been around for even longer than these parts, and is an integral* part of a wide variety of circuits, even today.
&lt;p&gt;
It is true that the (slightly) newer TL072 is better in pretty much every aspect than the 741, which was one of the early single-chip implementations, and had fairly poor performance in most categories.  However, for many years, it was good enough, and well-known enough that many manufacturers offered it, it was made in enormous quantities, and was dirt cheap.
&lt;p&gt;
For a while, people would use the cheap ubiquitous 741 wherever it would do, and the nicer and more expensive TL072 where the better specs were required.  Later, the TL072 was the go-to chip, and the more expensive 5532 (1977) would be used where a better chip was required.
&lt;p&gt;
Time continued to march on, and now the 5532 is cheaper than the older TL072, and a good choice for whenever you need an op-amp.  It's overkill for a lot of uses, but these days it's cheap and ubiquitous.  The audiophile crowd pooh-poohs it, and likes to swap in fancier chips to get the sonic character they want.
&lt;p&gt;
However, in moderate bandwidth analogue electronics, things are simply not obsoleted as rapidly as they are in the digital arena.  All of the chips I mentioned are still made, and easily obtainable.
There are, of course, more modern chips out there.  Overlooking the bewildering variety of special-purpose chips, there are some newer general purpose op-amps to be had.  The OPA627 came out in 1989 (a mere 28 years back), and has some truly impressive specifications.  However, it costs nearly fifty times as much money as a 5532.  The AD823 appeared in 1995 and is a fine chip, and more affordable than the OPA627.  However, perhaps you want to use a chip introduced in this century for some reason.  And sure enough, a successor to the OPA627, the OPA827 was introduced in 2006, only 11 years ago.
&lt;p&gt;
* pun intended: one common use for an op-amp is a lash-up known as an "integrator"&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=23664" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:23539</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/23539.html"/>
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    <title>Turntable reminiscences</title>
    <published>2016-04-29T12:18:43Z</published>
    <updated>2016-04-29T12:48:39Z</updated>
    <category term="music"/>
    <dw:music>Polly Wolly Doodle – Jimmy Carroll and Orchestra</dw:music>
    <dw:mood>nostalgic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">My first record player was a cheap red and white plastic affair with which I could play my stack of bright yellow 78s.  It was the kind that had a steel needle that was held in place with a thumbscrew on the tonearm, the kind you were supposed to replace the needle after every play.  However, we only had the one needle, so I just used it over and over.  It had a horrible tinny sound to it, and the records were scratched up and barely intelligible, but I enjoyed it.  After we moved house, it and its records lived out in the porch.
&lt;p&gt;
&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://bodger.dreamwidth.org/23539.html#cutid1"&gt;more maudlin record player nostalgia, with pictures&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=23539" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:23040</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/23040.html"/>
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    <title>Fixing a Kodak Carousel slide projector</title>
    <published>2016-01-02T23:24:55Z</published>
    <updated>2017-05-25T22:24:53Z</updated>
    <category term="repair"/>
    <dw:music>Imperial March – John Williams – Star Wars soundtrack</dw:music>
    <dw:mood>accomplished</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I was going through old family slides with the old family slide projector and noticed the focus motor was running continuously.  I did some quick checks and verified that the bulb worked, but the mechanism wasn't moving.  This is a known issue with these older projectors.  I pulled the bottom off to have a look at the mechanism.
&lt;p&gt;
&lt;img src="http://www.vitriol.com/images/metaphotography/oldgears.jpg" alt="crumbly old plastic gears" /&gt;
&lt;p&gt;
At least one problem was obvious: the plastic gears were crumbling (this being a common failure mode).
&lt;p&gt;
&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://bodger.dreamwidth.org/23040.html#cutid1"&gt;the repair process (with pictures)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=23040" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:22801</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/22801.html"/>
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    <title>Old-style Polaroid photography</title>
    <published>2015-08-24T12:38:39Z</published>
    <updated>2015-08-24T12:38:39Z</updated>
    <category term="photography"/>
    <dw:music>Bumble Boogie – B. Bumble &amp; The Stingers</dw:music>
    <dw:mood>artistic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">One day, &lt;span style='white-space: nowrap;'&gt;&lt;a href='https://fizzgig.dreamwidth.org/profile'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/user.png' alt='[personal profile] ' width='17' height='17' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='https://fizzgig.dreamwidth.org/'&gt;&lt;b&gt;fizzgig&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; and I were shopping at a knickknack store
and found chromed resin casts of old cameræ.
&lt;p&gt;
&lt;img src="http://www.vitriol.com/images/photography/fake-camera.jpg"&gt;
&lt;p&gt;
We remarked how they would fit our décor, but thought it was silly to
buy a fake camera when there are plenty of affordable real ones out there.
Accordingly, I picked up an old folding Polaroid 100 on eBay on the cheap.
Reading up on it, I discovered that Polaroid originally made roll film
cameræ for a few years, then went to the wildly successful "pack film"
format.  These were made for a long time, and in huge numbers.  My
Model 100 was the first, and probably well over a million of them were produced.
The Model 100 was also quite capable with quality glass lenses, a range of
film speeds, and an automatic electronic shutter capable of producing
correct exposures at speeds from 1/1200 to 10 seconds.
&lt;p&gt;
&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://bodger.dreamwidth.org/22801.html#cutid1"&gt;more (with more pictures)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=22801" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:22750</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/22750.html"/>
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    <title>CRT power supply</title>
    <published>2015-08-23T21:17:02Z</published>
    <updated>2017-05-25T22:29:27Z</updated>
    <category term="electronics"/>
    <dw:music>Talk to the Animals - David Stumpf - Wurlitzer 153</dw:music>
    <dw:mood>enthralled</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">My fondness for vacuum tubes extends to cathode ray tubes (CRTs), which were ubiquitous for decades in television sets, as well as technical equipment like oscilloscopes.  I like the look of them in operation, an electron beam painting glowing lines on a phosphor screen.  Accordingly, I'd like to make a CRT-based art project.  To do so, I need to come up with an appropriate power supply.  Like other vacuum tubes, CRTs need both a heater supply and a high voltage supply.  However, CRTs need higher voltage than most vacuum tubes.  An ordinary small CRT generally needs a thousand volts to operate.  Additionally, CRTs need several different voltages to operate their various electrodes.
&lt;p&gt;
The first order of business is to come up with the high voltage itself.  When vacuum tubes were common, high voltage power supplies were too.  These days, electronics are solid state, and run on low voltage.  For a long time, 5 volts was the norm, and now voltages are getting even lower to support both devices with smaller geometry and reducing power consumption and its attendent heat generation.  3.3 volts was popular for a while, and newer devices run on 1.8 volts.  In this arena, parts to produce high voltages are uncommon.  As I like to share my designs, I'd prefer to use current production parts that other people can obtain fairly easily and cheaply.  Happily, there is a current source for high voltage transformers.  LCD screens need backlights, and one popular technology for backlights is the "cold cathode fluorescent light" (CCFL).  These are long thin tubes that are lit by (aha!) high voltage.  Since they're so common, the associated high voltage power supplies and the parts they're built from are also common.
&lt;p&gt;
I found a nice design at &lt;a href="http://tubetime.us/?p=183"&gt;tubetime&lt;/a&gt; that used a CCFL transformer in a lashup using a voltage divider to sample the high voltage, a voltage reference for comparison, an operational amplifer (op-amp) to compare them, and a power transistor to control the CCFL circuitry.  I figured I'd breadboard it and see how it performed.  The CCFL transformer itself, while common, is still a specialty part.  However, complete CCFL modules are, inexplicably, cheaper.  Eyeballing the schematic showed that the core of the design was the same lashup used in the CCFL supply.  All I had to do was add a rectifier and reservoir capacitor to convert the high voltage AC output to the high voltage DC I wanted, just as was done in the tubetime design.  A quick breadboard showed that it worked as desired.
&lt;p&gt;
However, the tubetime documentation explained that the design was derived from a Jim Williams application note, so I read it and saw that Williams' original design didn't use an linear analog feedback loop like the tubetime version, but employed a switching voltage regulator chip instead.  This was appealing, as it would be both more efficient and have a smaller parts count.  The switching regulator chip replaced the voltage reference, op-amp, and power transistor with a single part, and added some nice protection circuitry as a bonus.  I decided to build that version.  In the process, I modified the CCFL supply slightly by cutting a trace to separate the low voltage ground from the high voltage ground.  I did this because the low voltage "ground" wasn't actually ground, but the switching transistor, and I didn't want to ground an 800 volt signal through the low voltage switching power supply transistor.
&lt;p&gt;
&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://bodger.dreamwidth.org/22750.html#cutid1"&gt;The rest of the writeup (with pictures)...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=22750" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:22461</id>
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    <title>Major closet repair</title>
    <published>2014-01-29T03:04:40Z</published>
    <updated>2014-01-29T15:04:48Z</updated>
    <category term="house"/>
    <dw:music>Meditating Spock - Gerald Fried - ST:TOS soundtrack</dw:music>
    <dw:mood>accomplished</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>5</dw:reply-count>
    <content type="html">A little while after I unpacked and hung a bunch of shirts in the closet,
we were downstairs and heard a peculiar noise.
We went hunting through the house,
trying to figure out what had happened.
Presently we discovered that the closet shelves had collapsed!
A little investigation revealed that they hadn't been attached
to the studs,
and were therefore not very well anchored.
I extracted all the clothing and stowed it
in an assortment of bins and boxes,
and stacked the rest of it on top.
I then proceeded to remove the twisted wreckage of the original
flimsy wire shelves.
I hadn't liked the existing arrangement particularly,
but the collapse meant I would have to go ahead and deal with it now.
&lt;p&gt;
&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://bodger.dreamwidth.org/22461.html#cutid1"&gt;the whole long tale, with pictures&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=22461" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:22177</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/22177.html"/>
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    <title>Baby mantises!</title>
    <published>2013-06-03T16:27:19Z</published>
    <updated>2013-06-03T16:27:19Z</updated>
    <category term="nature"/>
    <dw:music>Overkill - Men At Work</dw:music>
    <dw:security>public</dw:security>
    <dw:reply-count>1</dw:reply-count>
    <content type="html">While doing some gardening, &lt;span style='white-space: nowrap;'&gt;&lt;a href='https://www.dreamwidth.org/profile?user=fizzygeek'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/user.png' alt='[profile] ' width='17' height='17' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='https://www.dreamwidth.org/profile?user=fizzygeek'&gt;&lt;b&gt;fizzygeek&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; noticed a bunch of baby mantises (mantids?) on the porch!  We'll be trying to take a few to a friend's house.
&lt;p&gt;
&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://bodger.dreamwidth.org/22177.html#cutid1"&gt;picture&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=22177" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:21958</id>
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    <title>bodger @ 2013-05-30T17:02:00</title>
    <published>2013-05-30T21:33:47Z</published>
    <updated>2013-05-30T21:34:35Z</updated>
    <category term="house"/>
    <dw:music>Elegance from Hello, Dolly</dw:music>
    <dw:mood>satisfied</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">Two and a half years ago, &lt;a href="http://bodger.dreamwidth.org/2010/11/29/"&gt;I posted that I was debt-free.&lt;/a&gt;  I've been debt-free ever since.  Until today, when &lt;span style='white-space: nowrap;'&gt;&lt;a href='https://www.dreamwidth.org/profile?user=fizzygeek'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/user.png' alt='[profile] ' width='17' height='17' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='https://www.dreamwidth.org/profile?user=fizzygeek'&gt;&lt;b&gt;fizzygeek&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; and I spent the afternoon with an attorney.
Now we have a mortgage.
And to go with it, a house.
&lt;p&gt;
It's a nice old farmhouse on 5 acres in Lovettsville, with a nice little creek running through the property.  It's out on the edge of town, and they're planning on building a park in some land out behind the neighboring farmer's fields.  The previous owners have done some beautiful work on the house, bringing the second floor bathroom up into the attic, giving it a higher ceiling and more light.  They've added on a spacious kitchen/breakfast nook with a vaulted ceiling and skylights.  There's a deck out back, surrounding a tree.  There's a nice little sun porch, lots of built-in shelves, a finished basement, a cedar closet, and a fire pit.  The yard has plenty of plantings of native plants, and is a Certified Wildlife Habitat and a Certified Bird Friendly Habitat.  Fizzygeek will get to indulge her green thumb.
&lt;p&gt;
&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://bodger.dreamwidth.org/21958.html#cutid1"&gt;pictures&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=21958" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:21644</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/21644.html"/>
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    <title>Little teeny bulb, big complicated fix</title>
    <published>2013-05-29T15:50:37Z</published>
    <updated>2013-05-29T16:11:04Z</updated>
    <category term="repair"/>
    <dw:music>Suite from "Sister Jaime" - Joe Harnell</dw:music>
    <dw:mood>productive</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>1</dw:reply-count>
    <content type="html">The light for the clock in my car burned out.
I looked in the manual to see what kind of bulb it took,
but it just said &amp;ldquo;see dealer&amp;rdquo;.
That seemed ridiculous, it was probably an ordinary
wedge base miniature bulb like a #194,
the sort of thing I might already have lying around.
There&amp;rsquo;s no obvious way to change that particular bulb
without taking the dash apart (maybe that&amp;rsquo;s why it
said &amp;ldquo;see dealer&amp;rdquo;),
so I took the dash apart, pulled out the clock, and had a look.
&lt;p&gt;
It turns out it&amp;rsquo;s a weirdie plastic twist-on bulb that
apparently uses a notched hole in a printed circuit board
as the &amp;ldquo;socket&amp;rdquo;.
&lt;p&gt;
&lt;img src="http://www.vitriol.com/images/tech/clock-bulb.jpg" alt="clock and bulb"&gt;
&lt;p&gt;
I don&amp;rsquo;t have anything like that in stock.
So I walked down to the brand new Advance Auto Parts here in town to buy one.
They looked it up and said those don&amp;rsquo;t normally burn out in a car
only a few years old, and in any case, they don&amp;rsquo;t stock them and I&amp;rsquo;d
have to get one from the dealer.
&lt;p&gt;
This did not exactly thrill me,
so it occurred to me that I could probably find the bulb elsewhere,
probably cheaper.  But what was it?  I didn&amp;rsquo;t have a type number or
anything.  Some research on the web revealed that there were a lot
of people looking for this bulb, and that it was a Ford part number
F5VY-13B765-AA (or perhaps F5VF-13B765-A or maybe E83Z-13466-A).
There were a few mentions in the pages I found to this being an 80mA
bulb, and that&amp;rsquo;s a believable current for a bulb like that.
The existing bulb is marked &amp;ldquo;2W&amp;rdquo;,
which might mean that it&amp;rsquo;s a two-watt bulb or it might not.
There&amp;rsquo;s a chance that the E83Z bulb mentioned above
is a 1.2 watt version.
There&amp;rsquo;s also a chance that one of those
isn&amp;rsquo;t a green painted bulb like the original.
I don&amp;rsquo;t know.
&lt;p&gt;
I decided to try out the parametric search for light bulbs
available on the
&lt;a href="donsbulbs.com"&gt;Don&amp;rsquo;s Bulbs&lt;/a&gt;
site.
I could make good guesses at the glass type (T-1½), voltage
(12-14V) and current (.08A), but what was that base?
Happily, Don&amp;rsquo;s Bulbs has pages where you can search for
bases by drawings.
After peering at the &amp;ldquo;automotive&amp;rdquo; category for a while,
I decided it was probably a &amp;ldquo;neowedge&amp;rdquo; of some sort,
but couldn&amp;rsquo;t figure out which variant.
No problem, the site lets you search on broad base categories,
and even a vague type of base narrows down the huge pile of results nicely.
The closest match I could find was a GE type 91646,
which doesn&amp;rsquo;t seem to be available much any more.
It does sport a B8.4D base, but I wasn't at all sure it was the right one.
&lt;p&gt;
I went back to searching the web,
adding &amp;ldquo;neowedge&amp;rdquo; to my search terms.
I found many more pages of people trying to find this bulb,
and a bunch of pointers to LED bulb vendors.
However, many people had bought the LED replacements,
only to have them not work.
&lt;p&gt;
This gave me an idea - I could convert the existing one to LED
myself and have it fixed the same day!
I rounded up a blue LED and calculated that an appropriate
voltage dropping resistor would be about 525Ω.
Some rummaging around produced some 560Ω resistors,
which should run the LED at slightly lower current,
for a little less brightness and longer life.
I crushed the burned-out bulb so I could solder the
new parts to the resulting leads.
&lt;p&gt;
&lt;img src="http://www.vitriol.com/images/tech/clock-parts.jpg" alt="base, LED, and resistors"&gt;
&lt;p&gt;
I then assembled the parts into something that should fit into the
space occupied by the original bulb.
&lt;p&gt;
&lt;img src="http://www.vitriol.com/images/tech/clock-assembled.jpg" alt="LED replacement assembled"&gt;
&lt;p&gt;
I remembered the LED bulbs I had made for my pinball machine,
which runs its bulbs on AC, so the polarity doesn&amp;rsquo;t matter.
But my car uses DC, so any way I assemble it is likely to be backwards.
Then I realized the base was symmetrical, so if it didn&amp;rsquo;t light,
I could just install it the other way.
I hooked it up to a power supply to make sure it worked.
&lt;p&gt;
&lt;img src="http://www.vitriol.com/images/tech/clock-lit.jpg" alt="LED replacement lit"&gt;
&lt;p&gt;
Then I went to install it in the car.  Unfortunately, it didn&amp;rsquo;t light.
I pulled it back out to turn around, and saw that I had broken one of
the fine wires.  Rats!
&lt;p&gt;
I took it back inside, and attempted to solder the wire directly to
the terminal, but without success.  I tried every flux and solder I
own, slowly melting the plastic base, but it was beyond me.
I considered finishing building my tack welder,
but that&amp;rsquo;s a biggish project and there&amp;rsquo;s a pretty good chance I
would fry the LED in the attempt anyway.
&lt;p&gt;
Greatly annoyed, I called the dealer
to see if they had the right bulb in stock.
Naturally, they didn&amp;rsquo;t &amp;mdash;
and they wanted more than fourteen dollars for the stinking bulb!
I reluctantly told them to order one and call me when it got in.
They said it would be in by Saturday morning.
&lt;p&gt;
Back to the web.  I noticed a lot of the references to LED replacements
were to the same place,
&lt;a href="superbrightleds.com"&gt;superbrightleds.com&lt;/a&gt;
so I figured I&amp;rsquo;d have a look.
They have a facility to look up bulbs by car make and model,
but didn&amp;rsquo;t list anything for my clock.
So I looked at their
&lt;a href="http://www.superbrightleds.com/cat/instrument-cluster-gauge/"&gt;
&amp;ldquo;automobile, instrument cluster and gauge, T1.5 Base - New-Wedge, B8 Type&amp;rdquo;
&lt;/a&gt; page.
After clicking around for a while,
I saw they had some nice big clear mechanical drawings
of the various bases,
complete with 3D renderings.
From this, it seemed that I had a B8.4D based bulb.
They offer LED bulbs with this base in two brightnesses, and six colors,
and they don&amp;rsquo;t cost much at all ($1.59 for the regular brightness).
The original bulb had a green coating,
but I thought red would be nice looking,
and avoid impairing my night vision.
I ordered one each of the red and green, in both regular and high power.
&lt;p&gt;
I went by the dealership on the way to Balticon on Saturday,
but they had closed early for Memorial Day weekend.
Fie on them.
&lt;p&gt;
The LED lights showed up in today&amp;rsquo;s mail.
&lt;p&gt;
&lt;img src="http://www.vitriol.com/images/tech/clock-sb.jpg" alt="LED from Super Bright LEDs"&gt;
&lt;p&gt;
I popped the regular brightness red one in, it fit perfectly,
and lit on the first try.  I&amp;rsquo;m looking forward to seeing it at night.
As for the dealer, I still haven&amp;rsquo;t heard back from them,
and at this point, I no longer care about their overpriced bulb.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=21644" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:21468</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/21468.html"/>
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    <title>Hollow-shaft nut drivers are nice tools to have</title>
    <published>2013-05-28T14:34:33Z</published>
    <updated>2013-05-28T14:34:33Z</updated>
    <category term="tools"/>
    <dw:music>Tuesday Afternoon - The Doughboys - Act Your Rage</dw:music>
    <dw:security>public</dw:security>
    <dw:reply-count>1</dw:reply-count>
    <content type="html">My dad had a nice set of hollow shaft nutdrivers that he and I both used.  When he passed away, I ended up inheriting them, and I have used them ever since.  I don't know when he bought them originally, but they've been getting used for decades, and are still in good shape, although one of the handles is a little melted looking from the time it got accidentally soaked in gasoline.
&lt;p&gt;
So why are they so useful?  It's the "hollow shaft" part that does the trick.  Rather like deep sockets can do some things that ordinary sockets can't, they'll let you loosen/tighten a nut that's threaded way down on a long bolt.  And the hollow shafts on these extend the entire length of the shaft.
&lt;p&gt;
&lt;img src="http://www.vitriol.com/images/tech/equipment/hs1.jpg" alt="view up the shaft"&gt;
&lt;p&gt;
If you look up the shaft, you can see all the way up to the handle.  It's not just a 2cm recess, the entire shaft is hollow, accomodating anything up to that length.  For example, using these tools,
it's easy to install long-shaft controls in panels and neatly tighten the nut without fighting with pliers, trying to keep a box-end wrench in position on a thin part, or running the risk of marring the panel.
&lt;p&gt;
&lt;img src="http://www.vitriol.com/images/tech/equipment/hs2.jpg" alt="nutdriver in position on long-shaft control"&gt;
&lt;p&gt;
That's one, on the right, in position to tighten the retaining nut, quickly and easily.
&lt;p&gt;
Recently, I realized that a metric set of these would be a very useful thing to have as well, so I went out to see what the offerings were.  I was pleased to find out that the original
&lt;a href="http://www.all-spec.com/products/Tools%7CDrivers%7CTOL-2B/HS618.html"&gt;
Xcelite HS618 set is still available,&lt;/a&gt;
as well as the individual drivers.
It's nice when useful things are still in production, after all these years.
Unfortunately, they don't seem to offer a metric version.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=21468" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:21077</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/21077.html"/>
    <link rel="self" type="text/xml" href="https://bodger.dreamwidth.org/data/atom/?itemid=21077"/>
    <title>An open letter to Canon</title>
    <published>2013-05-21T18:37:55Z</published>
    <updated>2013-05-21T18:37:55Z</updated>
    <category term="computer"/>
    <category term="corporate"/>
    <dw:music>Sunbaked Savannah, Namco</dw:music>
    <dw:mood>bitchy</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>3</dw:reply-count>
    <content type="html">I had a need for a new, different printer.  Ink jet printers produce beautiful images, but they're delicate and run and smear when wet.  Worse, if I only use the printer occasionally, the nozzles
clog and I use a lot of expensive ink getting them working again.
If I want to print gold or silver foil, I use my ancient 
&lt;a href="http://www.angelfire.com/mn/photonewbie/md5000review.html"&gt;Alps MD-5000,&lt;/a&gt;
which isn't supported by modern computers.
&lt;p&gt;
So I elected to buy a
&lt;a href="http://www.usa.canon.com/cusa/support/consumer/printers_multifunction/selphy_compact_photo_series/selphy_es30"&gt;Canon Selphy ES-30&lt;/a&gt; which is a compact dye sublimation photo printer that can also print gold and silver foil.  It was listed as having Macintosh support, which is good because I don't do windows.
It's a cute little thing, and takes its printing supplies as little cartridges that contain both the paper and the dye sub ink sheets.
This makes it easy to switch between different media, and ensures that the ink and paper stay in synch and are compatible.
They're specialized enough that they'll only ever be available from Canon, and they're not
particularly cheap.  But that's fine, it's cost effective for my occasional use.
&lt;p&gt;
But then it turns out that the Macintosh support is only partial - you can print color or black and white, but no gold or silver foil.
It is my opinion that if you claim to "support" a computer for a product,
that you support all the product's capabilities.  Otherwise, it's partial support at best, and this should be stated clearly in all sales literature.  Otherwise, you are lying to me, and I do not appreciate being lied to.
&lt;p&gt;
I waited a while to see if there would be an update that would add foil support, but none was forthcoming.  Then I wrote Canon and asked if they would send me the protocol, so I could implement this myself.
&lt;p&gt;
They refused, saying the information was proprietary.  What?  Why?  You're not selling printer drivers, you're selling printers, or more to the point, you're selling printer supplies.  The more
people who can use your printers, the more printers and supplies you will sell.
Keeping the protocol a secret is nonsense.  I offered to sign an NDA, but no reply at all.
I realize that companies avoid giving out technical information because it might lead to
more support questions.  I explained that I would not ask for further support, nor use
the information in a way that would cause this to happen.
&lt;p&gt;
Do you know what would have happened, if you had furnished the interface specification?
I would have extended the existing
&lt;a href="http://gimp-print.sourceforge.net/"&gt;Gutenprint&lt;/a&gt;
Canon Selphy support to include the ES-30,
including its metal foil printing capabilities.  I would have provided my changes back to the
Gutenprint project for inclusion in their core software.  This would have given Canon ES-30
support to Linux and BSD users, and since Apple uses Gutenprint to provide their third-party
printer drivers, you would have gotten Macintosh support for free.
Better yet, customer support for this driver would have
come from the Gutenprint project and Apple &amp;mdash; &lt;em&gt;saving&lt;/em&gt; you support money.
I would have
written a positive review of the printer, and all my adoring readers would have gone out
and bought them.  The underserved Macintosh, Linux, and BSD communities would have
bought the now-supported printer, and supplies for it.  As the cartridges are not easy to
replicate (unlike refilling inkjet cartridges), you would have had a solid revenue stream
for years to come, that no one could take away from you.  You would have enjoyed a
positive mindshare in a large, geeky customer base - and their friends, families, and
employers.
&lt;p&gt;
But no.  You decided to take the low road, keep things secret for no reason, and now
you're stuck with unpreferred vendor status.  I'll buy my camer&amp;aelig; from Nikon,
Fuji, and Olympus.  I'll buy my printers from Epson and HP.  And I'll tell all my friends
how you refused to play nice.
&lt;p&gt;
Your pointless corporate decision will end up costing you a surprising amount of lost
revenue over the years.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=21077" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:20975</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/20975.html"/>
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    <title>A very long day...</title>
    <published>2012-12-05T05:41:08Z</published>
    <updated>2012-12-05T05:41:08Z</updated>
    <category term="travel"/>
    <dw:mood>exhausted</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Today started with a 2½ hour dentist appointment.  Then I drove to the airport to catch a plane to Charlotte.  Then I dashed the entire lengths of the E and C concourses to just make my connecting flight to Miami.  Miami has a BIG airport.  We came in to gate J10, so the first thing I saw when I walked into the airport was the gate across the way: J9.  Thanks, Jeanneane.  Then I went down, collected my luggage and headed for the rental cars.  Signs everywhere pointed out the Mia Mover, up two floors.  It turns out you walk about half a mile on intermittent slidewalks to get to the actual Mia Mover tram.  The rental car agency didn't have the car I had reserved, but a Suzuki.  Erf.  Work probably won't pay for an upgrade.  It should be waiting for me in space B45.  I find a row for B1-B40 but no B45.  Eventually I realize B45 has been tacked on the end of the row, but the sign wasn't updated.  It turns out the Suzuki didn't have gas in the tank.  So I got back and beat them into switching cars for me, scoring a Ford Focus.  Then I head out to the hotel.  The address lands me in a seedy industrial neighborhood, where most of the buildings are for sale.  No sign of the hotel.  I call them, and get directed to a recording telling me to just go up 82nd Ave NW and it's on the left.  3655.  Hmm, there's a 3650, then a 3725, then a 3680.  No hotel.  I call the hotel again and finally manage to get a person, who explains the hotel is actually behind an office building.  I go back there, and the lot out front is packed.  The lot on the side is packed too.  I loop around and around, finally parking a couple of blocks away at an abandoned industrial building.  Then I realize I haven't eaten since breakfast, so I punch Steak 'n Shake into my GPS and head back out.  Turns out that Steak 'n Shake is now a seafood place.  Feh.  I go back to the hotel and park back at the industrial building a couple of blocks away.  I drag my luggage back to the hotel, and choose to go around to the right, as there's a crowd of smokers to the left.  It turns out there's not a way around to the right, so I ended up dragging my luggage over a bunch of grass to get to the door.  The lobby is full of flight crews in matching red blazers.  Finally all of them get done at registration and I go up, only to be informed there aren't any rooms.  They've put me up at a fancy place across town.  Said fancy place involves lots of twisty little roads, forking incessantly.  I finally find a spot that looks likely and explain to the valet that I think this is where I'm supposed to be.  He says no, I need to be back at the first hotel.  I explain I WAS there, they send me elsewhere, which may well be here.  He tells me to go inside and ask.  The folks inside explain that I only have one night at the new place, then I'll check out and spend the rest of my stay back at the first hotel.  Great.  They give me a map of the property and pick out "Lodge 10" as where I'm staying.  There's no parking near Lodge 10, as most of the resort guests apparently use valet parking.  I finally choose a spot that seems like it might be nearby.  This time, I leave my luggage in my car while I figure out where I'm supposed to be going.  I end up in a courtyard between Lodge 9 and Lodge 10, and the only unlocked door is marked "meeting rooms".  I go in, and find a young couple as lost and confused as I am.  I wend my way around the bowels of Lodge 9, discovering it holds the 900 series rooms.  I'm in 142, which is probably NOT Lodge 10, unless there's no Lodge 1.  I pull out the map and see that there is a Lodge 1, way around on the other side of the ballroom.  So I head around that way and eventually find it.  I take the elevator up, and try my key.  Sure enough, it works.  So I hike back, around the other side of the ballroom complex, to see how the parking lot is laid out.  Once I get back to the car, I retrace my steps, and park by the corner of the ballroom, so I only have to haul my luggage around that, the physical plant, another lodge, and some plantings to get back to my room.  The room reeks of floral perfume.  It's after midnight.  I still haven't eaten.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=20975" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:20694</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/20694.html"/>
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    <title>Peoples' beefs with Big Bang Theory</title>
    <published>2012-10-19T18:22:42Z</published>
    <updated>2012-10-19T18:22:42Z</updated>
    <category term="geeks"/>
    <category term="entertainment"/>
    <dw:music>Opening: Entry of the Gladiators-The Great American Main Street Band-Under The Big Top</dw:music>
    <dw:mood>thoughtful</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">There seems to have been a spate of people
&lt;a href="http://butmyopinionisright.tumblr.com/post/31079561065/the-problem-with-the-big-bang-theory"&gt;
complaining about The Big Bang Theory recently,
&lt;/a&gt;
claiming it's making fun of nerds and smart people.
&lt;p&gt;
Really?  We've had decades of absent-minded professors, mad
scientists, and nerds complaining about their childhood
treatment and taking their revenge on the world.  Now &lt;em&gt;that&lt;/em&gt;
is something we might complain about.
&lt;p&gt;
But Big Bang Theory?  Please.  Most folks focus on Sheldon,
so I will too.  Sheldon is portrayed as a good guy.  That's
right, he's shown very positively.  Yes, he has difficulties
with social niceties.  But he &lt;em&gt;tries&lt;/em&gt;.  He really wants to
learn how to interact with people properly.  It's not his
fault he isn't very good about it, but instead of making
excuses ("I can't act nicer, I'm an assburger"), he tries to
learn from his mistakes, learn how to recognize sadness
and sarcasm, and react appropriately.  When someone needs
a large amount of money, he offers to lend it to them, for
whatever amount of time they need it, interest free.  When
someone's feeling down, he tries to comfort them, even though
he doesn't really know how.  It's &lt;em&gt;tough&lt;/em&gt; to attempt something
you don't know how to do.  But it's the right thing to do, and
he tries.  Even when it involves touching other people, he does
so, overcoming his aversion to doing so.  That sort of thing
makes the character a good one, in my opinion.
&lt;p&gt;
"But they portray Sheldon as a buffoon!", I hear people whine.
Really?  Granted, Sheldon is often portrayed as a buffoon.
But so is &lt;em&gt;everybody else on the series&lt;/em&gt;, including most of
the guest stars!  Everybody's a little off in this show, it's
part of the show, not an insult to anybody in particular.  That
was part of what I liked about In Living Color: they were
evenhanded, making fun of &lt;em&gt;everybody&lt;/em&gt;.  I really can't object
to that, as long as it isn't mean-spirited.  And if there's
mean-spiritedness in Big Bang Theory, I simply don't see it.
&lt;p&gt;
That's a subtle difference, and hard to point to, but it's
important.  Anybody remember The Man Show - the
original one with Adam Carolla and Jimmy Kimmel?  Lots of folks
objected to that, saying it mocked women and objectified them,
treating them as nothing more than sex
symbols.  There were a lot of such shows before, during, and
after it that did exactly that (and I include the reboot of The Man Show with
Doug Stanhope and Joe Rogan).  But the original Man Show wasn't like that.  The
hosts (Adam and Jimmy) love and respect women, and I can see
it in the show.  A lot of their gags boil down to "I don't completely
understand women, but I adore them".  That's why I liked that show, and didn't
really enjoy any of the others of that sort.
&lt;p&gt;
It's the same way with The Big Bang Theory.  While the jokes
necessarily revolve around the characters and their personalities,
they're not mockery, they're poking gentle fun.  And many of the
gags are simply standard sitcom fodder - they're laughing at what
it is to be human.  And that's always going to be funny.  If you've
read Alison Bechdel's Dykes To Watch Out For, it has a similar
feel.  Yeah, a bunch of the characters are lesbians, and a lot of
the story lines hinge on things lesbians do, say, and are - including
some stereotypes.  But the main message I get from the comics is
"we're all human, and we all have the same sorts of fun, problems,
and laughs."  The same with The Big Bang theory - it's a show about
being human, with the wrinkle that not all humans are alike.  As
someone who's "not alike", it's nice to see that explored, whether
it's in a humorous vein or not.
&lt;p&gt;
And yes, sometimes I'll do or say something nerdy (like "I like to turn
the plates so they face the sprayer in the dishwisher"), my sweetie
will smirk at me and say "Okay, Sheldon!"  It's not mean, it just
reminds me that I can be picky about minuti&amp;#230;.  And it makes us
both smile.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=20694" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:20269</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/20269.html"/>
    <link rel="self" type="text/xml" href="https://bodger.dreamwidth.org/data/atom/?itemid=20269"/>
    <title>A spider</title>
    <published>2012-10-17T01:55:36Z</published>
    <updated>2012-10-17T01:55:36Z</updated>
    <category term="nature"/>
    <category term="spider"/>
    <dw:music>Kitty Party / Selina Transforms-Danny Elfman-Batman Returns</dw:music>
    <dw:mood>tired</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>1</dw:reply-count>
    <content type="html">As I was taking out the trash, I saw some motion as I went through the door.  At first, I was afraid it was a stinkbug, but
then I got a closer look and realized that it was just a spider.  A pretty one, too.
&lt;p&gt;
After I had put down the trash cans, I went and grabbed a camera with a macro lense to get a picture of this beastie.
I'm guessing it's &lt;i&gt;Platycryptus undatus,&lt;/i&gt; the tan jumping spider.
&lt;p&gt;
&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://bodger.dreamwidth.org/20269.html#cutid1"&gt;picture and more details&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=20269" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:20011</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/20011.html"/>
    <link rel="self" type="text/xml" href="https://bodger.dreamwidth.org/data/atom/?itemid=20011"/>
    <title>Creatures in the mail!</title>
    <published>2012-09-09T03:43:46Z</published>
    <updated>2016-06-17T03:01:51Z</updated>
    <category term="bugs"/>
    <category term="mail"/>
    <dw:music>Mystery Spot Polka-Brave Combo-Polkas For A Gloomy World</dw:music>
    <dw:mood>flabbergasted</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">A friend of mine sent me some plastic sheets, but something strange seems to have happened to them in transit.
&lt;p&gt;
&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://bodger.dreamwidth.org/20011.html#cutid1"&gt;graphic description and pictures of bugs&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=20011" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:19837</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/19837.html"/>
    <link rel="self" type="text/xml" href="https://bodger.dreamwidth.org/data/atom/?itemid=19837"/>
    <title>Life's cusps</title>
    <published>2012-07-24T17:34:35Z</published>
    <updated>2017-05-26T03:47:42Z</updated>
    <category term="life"/>
    <category term="love"/>
    <category term="movies"/>
    <dw:music>Dying To Know - Arrogance</dw:music>
    <dw:mood>pensive</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">I was just watching a romantic comedy* (like I do), and it finally dawned on me what my faint irritation is at most of these films.  There comes a scene where the protagonist finally has a chance for happily ever after.  It's a weird confluence of events, unlikely in the extreme, but &lt;em&gt;right then&lt;/em&gt; everything comes together at once, creating a fleeting chance.
&lt;p&gt;
And they bungle it.
&lt;p&gt;
Up to here, this is like real life &amp;mdash; in reality, this also happens.  Whether you realize it at the time or not, life offers up these oh-so-brief opportunities, where, if everything goes right, wonderful things can happen.  Sometimes it does, and that's wonderful.  But, many times, either reality doesn't co&amp;#246;perate (the party closes just as she was about to offer you her lips, the phone rings, the cat throws up, whatever), or you do or say the wrong thing, or freeze up, or screw up some other way.  And then the moment's gone, never to be retrieved.  And it socks you like a sucker-punch to the stomach.  You realize what could have been.
&lt;p&gt;
I've gotten to the point where I occasionally recognize these cusps when they're happening.  "Everything hinges on what you do at this moment", I'll realize.  Unfortunately, that realization doesn't come with instructions as to what to do.  Many times, it's far from obvious what would be the best thing to do.  And I'll choose wrong.  A lot.
&lt;p&gt;
"Quick!", the universe will tell me, "make the right choice &amp;mdash; instantly &amp;mdash; or lose out.  Forever."
&lt;p&gt;
And that's the kicker.  Many of these things, you only get the one chance.  The odds were you'd never get a chance, and you're lucky to have had the one.  And you blew it.  And you'll never get a do-over.
&lt;p&gt;
And that, my friends, is my beef with romance movies.  In these stories,
the heroes always get another chance.  Against all odds, &lt;em&gt;another&lt;/em&gt; bizarre occurrence happens, and they get another crack at it.
And it's always even more hurried than the last time, and they have to deal with the repercussions of the previous disaster, but they somehow
make the right choice, they don't get interrupted, and they find true love.
&lt;p&gt;
I admit, otherwise, it would be a depressing reminder of how dismal real life can be.  But it seems hollow.  The characters turn from (sort of) realistic, human people with imperfections and failings, to this blessed couple that magically gets everything right, apparently because they
"deserve to" or somesuch.  We're all rooting for them, they're made for each other, we're willing to suspend disbelief so they can be together.
&lt;p&gt;
But that just makes it sting the more that we don't have our own cheering sections, we don't get the second chances, we just get that one fleeting sliver of possibility, and have to fend off all the external things that can go wrong, as well as make a snap decision on insufficient data and act on it immediately, or spend the next few weeks/months/years second-guessing ourselves and suffering the regrets of the beautiful thing that might have been.
&lt;p&gt;
I'll admit that there are films that are more realistic.  Chasing Amy was one such.  The hero got a cusp handed to him, and it was reasonably clear what he needed to do (good job, Kevin Smith), and he choked.  He blew it.  And he lost out.  He never got a second chance.  I hated it the first time I saw it.  How horrible, how cruel.  I read Smith's writeup, how he felt that his cusp was tied to that film, and his take on it was he could only get the girl in real life if the make-believe character didn't.  I find myself having such superstitions beliefs myself, so I can't fault him for that.  And I can't blame him for sacrificing the &lt;strike&gt;companion cube&lt;/strike&gt; film version of happiness for a chance of real life happiness.  But it stung.
&lt;p&gt;
However, over the years, I've come to really like that film.  It's painful, yes, but at least it's honest.  Life is like that, like it or not.
&lt;p&gt;
I still wish I magically knew what to do in these situations.
And I wish I was better at detecting them in the first place.
&lt;p&gt;
* The Ugly Truth, if you're curious&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=19837" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:19628</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/19628.html"/>
    <link rel="self" type="text/xml" href="https://bodger.dreamwidth.org/data/atom/?itemid=19628"/>
    <title>Outsource perimenopause (or worry) naturally</title>
    <published>2012-07-23T14:03:48Z</published>
    <updated>2012-07-23T14:03:48Z</updated>
    <category term="psychology"/>
    <category term="biology"/>
    <dw:music>There Are Worse Things I Could Do-Stockard Channing-Grease</dw:music>
    <dw:mood>bemused</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>1</dw:reply-count>
    <content type="html">Idly looking at a magazine cover, I read "Outsource perimenopause naturally".  Wait, what?  You can DO that?
&lt;p&gt;
Then I read it again, noticing that
&lt;a href="http://www.naturalhealthmag.com/newsstand/issue-6"&gt;the first word was really "outsmart".&lt;/a&gt;
&lt;p&gt;
However, it's apparently possible to outsource worry!
&lt;a href="http://ajjacobs.com/content/home.asp"&gt;A. J. Jacobs&lt;/a&gt; mentions this in
&lt;a href="http://www.esquire.com/features/ESQ0905OUTSOURCING_214"&gt;his article on outsourcing his life.&lt;/a&gt;
&lt;p&gt;
Then, in his new book
&lt;a href="http://ajjacobs.com/books/drop_dead_healthy.asp?id=buy"&gt;"Drop Dead Healthy",&lt;/a&gt;
he mentions an episode where a reader offered to trade worries with him.  Apparently it worked out
nicely for both of them.  The idea seems to
&lt;a href="http://forum.zefrank.com/discussion/239/worry-swap/p1"&gt;be catching&lt;/a&gt;
&lt;a href="http://www.mindingtherapy.com/2012/04/26/time-to-outsource-worries/"&gt;on.&lt;/a&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=19628" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:19291</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/19291.html"/>
    <link rel="self" type="text/xml" href="https://bodger.dreamwidth.org/data/atom/?itemid=19291"/>
    <title>Best. Weekend. Ever. The Sequel!</title>
    <published>2012-07-13T16:35:27Z</published>
    <updated>2017-05-26T03:59:49Z</updated>
    <category term="celebrities"/>
    <dw:music>Generation Love - Jennette McCurdy</dw:music>
    <dw:mood>enthralled</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Remember the fellow who had won the iCarly set visit, that I ran into
at the Memphis airport?  I heard from him again, he'd talked with
Nickelodeon and they told him the opportunity was for up to four people.
He still had no friends or family who were interested, so he said if I'd
chip in, I and one or two friends could come with him.  He would still
be paying the lion's share of the money, so it was an attractive deal.
I'll call him Chris (as that's his name).  Chris and I hammered out a
simple contract, and I transferred the funds.
&lt;p&gt;
Nickelodeon offered him a few choices, and he elected to go on a day
that had a long shooting schedule.  The package came with 2 nights at
the Roosevelt hotel in Hollywood, a visit to the Nickelodeon Animation
Studios, a visit to a taping of the Ellen show,
and some goodies like script excerpts and an autographed cast picture.
&lt;p&gt;
&lt;span style='white-space: nowrap;'&gt;&lt;a href='http://fizzygeek.livejournal.com/profile'&gt;&lt;img src='https://www.dreamwidth.org/img/external/lj-userinfo.gif' alt='[livejournal.com profile] ' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' width='17' height='17'/&gt;&lt;/a&gt;&lt;a href='http://fizzygeek.livejournal.com/'&gt;&lt;b&gt;fizzygeek&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; would come with me, so
it would be the three of us.  We'd be in the LA area more than two
nights, so we needed to find somewhere to stay the other nights.  As
it happens, our fronds &lt;span style='white-space: nowrap;'&gt;&lt;a href='http://keighsie.livejournal.com/profile'&gt;&lt;img src='https://www.dreamwidth.org/img/external/lj-userinfo.gif' alt='[livejournal.com profile] ' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' width='17' height='17'/&gt;&lt;/a&gt;&lt;a href='http://keighsie.livejournal.com/'&gt;&lt;b&gt;keighsie&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;
and &lt;span style='white-space: nowrap;'&gt;&lt;a href='http://ayasdollz.livejournal.com/profile'&gt;&lt;img src='https://www.dreamwidth.org/img/external/lj-userinfo.gif' alt='[livejournal.com profile] ' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' width='17' height='17'/&gt;&lt;/a&gt;&lt;a href='http://ayasdollz.livejournal.com/'&gt;&lt;b&gt;ayasdollz&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; had moved from
Phoenix to LA since we'd seen them last, and were willing to let us
stay at their place, and (better yet) get to hang out with them more.
Looking forward to seeing Dan Schneider and the cast again, I rounded
up the Zoey 101 key I had made (I'm such a fangirl) and made myself
a
&lt;a href="http://en.wikipedia.org/wiki/Generation_Love"&gt;"Generation Love"&lt;/a&gt;
T-shirt in honour of cast member Jennette McCurdy's charity project.
&lt;p&gt;
We'd never been to LA, and we weren't quite sure what to expect.
As it happens, LA is a bustling city with gorgeous weather and plenty
of things to see and do.  We had a fun time hanging out with our
fronds, who basically let us have the run of the house when they
were out at work, and play with their cat and dogs
(including one grandly named PooPooButt!).
We had a great conversation about how our lives
just refused to be ordinary (my running into someone at an airport,
resulting in a set visit to one of my favourite TV shows was a great
example of this).  The so-called "law of averages" simply doesn't
seem to apply to us.
&lt;p&gt;
&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://bodger.dreamwidth.org/19291.html#cutid1"&gt;more (with pictures)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=19291" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:19084</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/19084.html"/>
    <link rel="self" type="text/xml" href="https://bodger.dreamwidth.org/data/atom/?itemid=19084"/>
    <title>Best.  Weekend.  Ever.  (part III)</title>
    <published>2012-07-12T17:57:40Z</published>
    <updated>2012-07-12T17:57:40Z</updated>
    <category term="spaceflight"/>
    <dw:music>I Am woman - Big Fish Ensemble</dw:music>
    <dw:mood>ecstatic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">The next day, I got an early start to make sure I got to the airport
on time.  As it happens, I got to the airport 'way too early, and
nothing was open.  I found a comfortable bench, fired up my
laptop, and proceeded to catch up on email.
&lt;p&gt;
Presently, someone wandered by and asked if I had been at the iCarly
event last night.  I said I had, and he shook my hand and said he
thought he recognized me as a big bidder for the day on the set.
It turns out he was the winning bidder, but didn't really have any
friends or family who enjoyed iCarly.  He said he'd try to find out
if I could come with him, as I was obviously interested enough to
be willing to put down major money.  We exchanged contact info.
&lt;p&gt;
Finally the ticket windows opened up, and I went to the USAir window
to try again to get my flight changed to terminate in Charlotte (where
I would be catching my flight to Florida) instead of Dulles.  It was
still impossible.  So I asked if I could just have my luggage marked
to come off at Charlotte.  The agent looked very flustered and asked
why I would want to do such a thing.  I explained that I'd be
abandoning the Charlotte-Dulles segment and catching some other plane.
She snapped "I don't want to hear about that!" and turned away.
Hopefully there won't be anything in my luggage that I can't carry on
the plane.
&lt;p&gt;
&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://bodger.dreamwidth.org/19084.html#cutid1"&gt;more (with pictures)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=19084" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:18856</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/18856.html"/>
    <link rel="self" type="text/xml" href="https://bodger.dreamwidth.org/data/atom/?itemid=18856"/>
    <title>Best.  Weekend.  Ever.  (part II)</title>
    <published>2012-07-11T18:52:33Z</published>
    <updated>2012-07-11T18:54:34Z</updated>
    <category term="celebrities"/>
    <dw:music>Hampsterdance song</dw:music>
    <dw:mood>thrilled</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">It turns out the event itself is held in a nice function space on
the roof of the hotel.  I took the elevator up a while before the
listed start time, and found just a few folks around, hanging up
decorations and so forth.  I signed up for a bidder number, as I
was quite interested in the auction, where they'd be selling props
and memorabilia.  After that, I was asked to go out on the roof and wait.
I had a nice look at the city - including seeing some areas flooded
by the river and I admired the Duck Palace where the ducks spend their nights.
&lt;p&gt;
After a bit, I wandered back inside, where there was quite a crowd
waiting to get in.  Occasionally cast members would exit the elevators
and squeeze through the crowd into the function space.  I wasn't really
sure what to expect, would they be hiding behind desks, protected by
handlers, or what?
&lt;p&gt;
Finally they let us in, to a generously sized area with several
activities scattered around, big screens running clips of the shows,
a big food table, and the things to be auctioned.  I looked around
to see if I recognized anybody.  Sure enough, just a few feet away,
Jerry Trainor was chatting with a couple of people.  I hung around
until they wandered off and went to say hi.  I blurted out that I
was glad to meet him, as my sweetie had told me I really should.
I phrased this in a really clever way, and he said "She really said
that?  Wow!"  I wish I could remember how I put it!  I saw someone
else standing nearby with a fancy camera, and asked him if he could
take a picture of me with Jerry.  He was happy to, if I'd return the
favour.  As it happened, he and I became photo buddies, taking each
others' pictures with various celebrities through the night.
&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://bodger.dreamwidth.org/18856.html#cutid1"&gt;more (with pictures)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=18856" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:18498</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/18498.html"/>
    <link rel="self" type="text/xml" href="https://bodger.dreamwidth.org/data/atom/?itemid=18498"/>
    <title>Best.  Weekend.  Ever.  (part I)</title>
    <published>2012-07-10T17:05:53Z</published>
    <updated>2012-07-10T17:05:53Z</updated>
    <category term="celebrities"/>
    <dw:music>iCarly theme song - Miranda Cosgrove and Drake Bell</dw:music>
    <dw:mood>thrilled</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>1</dw:reply-count>
    <content type="html">I've been a fan of some Nickelodeon shows for quite a while.  
&lt;a href="http://www.nick.com/amandaplease/"&gt;The Amanda Show,&lt;/a&gt;
&lt;a href="http://www.teennick.com/shows/zoey-101/"&gt;Zoey 101,&lt;/a&gt;
&lt;a href="http://www.icarly.com/"&gt;iCarly,&lt;/a&gt;
and
&lt;a href="http://www.theslap.com/"&gt;Victorious.&lt;/a&gt;
One big thing these shows have in common is they're directed by &lt;a href="http://www.danwarp.blogspot.com/"&gt;Dan Schneider,&lt;/a&gt; who aims to produce good TV, not just "kid TV".  This may be why I like them, or perhaps I'm just a kid at heart.
&lt;p&gt;
That said,
&lt;span style='white-space: nowrap;'&gt;&lt;a href='https://www.dreamwidth.org/profile?user=fizzygeek'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/user.png' alt='[profile] ' width='17' height='17' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='https://www.dreamwidth.org/profile?user=fizzygeek'&gt;&lt;b&gt;fizzygeek&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; and I were hanging around in an airport
waiting for a flight, and I was browsing Dan's facebook feed
when I saw
&lt;a href="http://www.danwarp.blogspot.com/2011/04/casts-of-icarly-victorious-going-to.html"&gt;an announcement:&lt;/a&gt;
he was having a charity meet-and-greet to support
&lt;a href="http://www.stjude.org/"&gt;St. Jude's Hospital.&lt;/a&gt;
Dan had asked the casts of both iCarly and Victorious to participate,
and they all agreed!
&lt;p&gt;
Hoo boy, I wanted to go to this shindig!  I asked
&lt;span style='white-space: nowrap;'&gt;&lt;a href='https://www.dreamwidth.org/profile?user=fizzygeek'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/user.png' alt='[profile] ' width='17' height='17' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='https://www.dreamwidth.org/profile?user=fizzygeek'&gt;&lt;b&gt;fizzygeek&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; if I could go, and she said I should
probably think about it first, see if it would be feasible.
I considered it for a while, and decided that this would be
a popular event and would sell out quickly.  I could either
pounce on it immediately, and take the chance of paying for it
and not being able to go, or think about it on the plane ride
and take a chance of wanting to go, but all the slots being
gone.  Additionally, Andrea couldn't go anyway.
I pounced on it anyway, to her vague surprise.
&lt;p&gt;
When I got home, I started making arrangements.  I booked a room
at the
&lt;a href="http://www.peabodymemphis.com/"&gt;Peabody,&lt;/a&gt;
the hotel where the event would be held,
and found an affordable flight to Memphis, connecting through Charlotte.
&lt;p&gt;
Then I got another notification - NASA had freed up some additional
VIP tickets for the (then) final space shuttle launch.  I had tried to
buy tickets earlier, but they were sold out, so I got on the bus
company's mailing list.  This mailing included a URL to buy the
tickets, but the URL was mangled in transmission.  I reverse-engineered
what it should have been and bought the tickets pronto.
I remember Spider Robinson writing in one of his books that seeing
a shuttle launch from the VIP area was an incredible experience,
and it was worth going to a large amount of effort do do so.
I had seen the Apollo moon shots go up from across the river,
those were awesome, and I'd seen a shuttle launch from on top
of the bridge, which was wonderful, but not like a Saturn V.
However, a shuttle launch from close up was something I wanted
to experience, and chances were running out.
&lt;p&gt;
Then I realized it was &lt;strong&gt;the same weekend!&lt;/strong&gt;
Now what am I going to do?  Okay, calm down, they're not the
same day.  I can fly to Memphis, meet Dan and his TV show casts,
then fly to Florida and catch the space shuttle launch with Andrea.
So I went to the USAir web site and tried to modify my flight.
Unfortunately, USAir's reservation system isn't too bright - I have
to work with the complete flight between Memphis and Dulles, I can't just
delete the Charlotte-Dulles segment.  And I can't convert Memphis-Dulles
into Memphis-Orlando, because there are no more seats on the Memphis-Charlotte segment!  Even though I'd be on that plane either way, the
computer simply can't accept that I'd be vacating a seat that I'd then
occupy.  Okay, I'll just call the airline directly and deal with a human
instead.  No dice - the human uses the same broken reservation system,
and can't accomplish it either.
&lt;p&gt;
Fine, I'm not going to miss out on the shuttle launch.  I went to another
airline and bought a ticket from Charlotte to Orlando, and one from Orlando to Dulles.  I'll just get off the USAir plane in Charlotte and board a plane to Orlando, abandoning the Charlotte-Dulles segment.
&lt;p&gt;
I'm not sure what I'm going to wear - I'm tempted to wear a Gibby's Ice Cream T-shirt, as one of the characters on iCarly is called Gibby.  But it might be a fancy shindig, so I also pack a really nice but somewhat outrageous striped shirt that had once listed for $200, but we found on a clearance rack for $20 or so.  I emailed the event coordinator asking if there's a dress code, but hadn't heard back.
&lt;p&gt;
I get to the hotel and unpack, and find that I have a reply to the dress code - it's supposed to be reasonably fancy, no jeans.  And I somehow neglected to pack nice pants.  Time to go shopping!  I call a cab to the mall.  The cab driver takes a phone call on the way, and speaks a language that sounds faintly familiar, but I can't place it.  When he gets off the phone, I ask him about it.  He explains that he's speaking Ethiopian.  No wonder it sounded familiar, I love Ethiopian food, and have learned several of the terms for the dishes.  He and I have a great time discussing Ethiopian food.
&lt;p&gt;
I get to the mall and do some power shopping, picking up a nice pair of slacks, a belt, and some cufflinks.  I'm going to look &lt;em&gt;good.&lt;/em&gt;
I also scarfed down some food, as I didn't know when I'd have another
opportunity to eat, as I'd be getting back to the hotel not long before
the event began, and I still had to change.
&lt;p&gt;
I have a nice chat with another cab driver on the way back - he's curious
as to why I'm in town, and I explain that I'm attending a fundraiser for
St. Jude's Hospital.  He says they're a wonderfully deserving place, and tells me a tale.  There was a boy who'd gone to a conventional hosptial with cancer, and they told him he had maybe two months to live.  His parents took him to St. Jude's instead, where he had done quite well.  After a year, he was well enough for a trip to the zoo - and that cab
driver had driven him and his parents to the zoo.
&lt;p&gt;
When I got back to the hotel, there was a huge crowd of people in the lobby.
I figured the TV stars had showed up and I was missing things!
Out by the elevators was mobbed, so it would be problematic to
even get back to my room to change.
It took a while for me to figure out what was really going on:
the Peabody hotel has a tradition where a
&lt;a href="http://www.peabodymemphis.com/peabody%2Dducks/"&gt;
family of ducks lives in their fountain&lt;/a&gt;
during the day, and the ducks march back to their home on
the roof at night - via the elevator.
Once the ducks had made their journey, the lobby cleared out
and I was able to go back to my room and change into my fancy duds.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=18498" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:18385</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/18385.html"/>
    <link rel="self" type="text/xml" href="https://bodger.dreamwidth.org/data/atom/?itemid=18385"/>
    <title>Crunch, or a trip to the dentist</title>
    <published>2012-07-10T01:39:00Z</published>
    <updated>2012-07-10T01:39:00Z</updated>
    <category term="dentistry"/>
    <dw:music>Dentist! - Steve Martin - Little Shop of Horrors</dw:music>
    <dw:mood>impressed</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">Recently, while enjoying some breadsticks, I heard a little cracking noise in my mouth.  A little exploration revealed that I now had a chunk missing from the side of a molar.  So I called the dentist.  Even though the whole dental office had been on vacation since July 4, they made room in their schedule to see me.  It turns out an old crown had failed and needed to be replaced.  Amazingly, they said they could do the job then and there.  Having the previous crown installed required a couple of visits, with a couple of weeks in-between for the crown itself to be custom made.
&lt;p&gt;
But technology marches on, and things are much improved today!  It only took a little while to remove the old crown and prepare the tooth for the new one.  At that point, technology took over.  They puffed some blue powder on the area and took a bunch of measurements with a miniature 3D scanner, both open jaw and closed jaw.  Then the computer chewed on it for a while, and generated a 3D model of the new crown, designed to fit neatly between the existing teeth, provide a good match to the attachment point, and meet the opposing teeth properly.  The dentist fine-tuned the model slightly (of course, I watched), and pressed the "go" button.  At that point, a little precision CNC machine carved the new crown out of a "green" ceramic blank.  The green ceramic was actually lavender, amusingly enough.  Then the crown was test fit, and some very fine adjustments made, as it was nearly a perfect fit to start with.  Then it went into a kiln for firing, and once it had cooled, they cemented it in place, cleaned up some stray cement, and sent me on my merry way.
&lt;p&gt;
Yay technology!&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=18385" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:18033</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/18033.html"/>
    <link rel="self" type="text/xml" href="https://bodger.dreamwidth.org/data/atom/?itemid=18033"/>
    <title>Fixing a lense</title>
    <published>2012-07-08T19:38:12Z</published>
    <updated>2012-07-10T01:15:03Z</updated>
    <category term="photography"/>
    <dw:music>Gay Boyfriend - Garfunkel and Oates</dw:music>
    <dw:mood>accomplished</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I've had a Kiron macro zoom lense for quite a while.  It's not a fancy sort, but it works nicely - especially for macro shots where I want good depth of field.  Most macro lenses are close-focussing ones with a razor-thin depth of field.  This beast works in macro mode at a fair distance, with the attendant advantages in depth of field.  Granted, it needs a lot of light to work, and shooting faraway subjects with magnification makes vibration an issue, but these are dealable with - an off-camera strobe helps enormously.  These days, that's mostly what I use it for.  I was trying to get a good picture of the character matrix of a monoscope, and realized the zoom macro would be the tool to use.  It took me a while to find it, it had ended up in a camera bag in the basement, where it had lain for quite some time.  Unfortunately, it's damp in the basement, and it had gotten fungus or something on the back of the front element.  To clean it would require disassembling the lense.
&lt;p&gt;
I have a lot of good camera and lense tools, so I grabbed the lense spanner and the lense and peered at it for a while, realizing that the lens retaining ring didn't have spanner grooves.  Some research on the internet revealed that some people simply saw grooves into the front ring and remove it that way, but I didn't want to, as it's really easy to ruin something in the process, and the front of the barrel had been dented at some point in the past, so the threads were in poor shape.  However, the same research revealed a downloadable copy of the repair manual for it.  It turns out this is a popular lense, and has been offered in a variety of versions and configurations over the span of a few decades.  The one I had didn't match the repair manual, but it was close enough for me to realize the tiny dimples at the front were actually tiny setscrews covered over with (essentially) black nail polish.  With the setscrews removed, the front lense element assembly should simply unscrew.
&lt;p&gt;
I rounded up my Wiha precision screwdriver set and selected a bit that would just fit in the setscrew opening.  A few turns abraded away the black nail polish, exposing the head of the setscrew.  Some careful digging cleared out the slot, and I was able to back out the setscrew nicely.  It's a &lt;em&gt;really&lt;/em&gt; small screw, about the size of a grain of pepper.  There was one each in front of and behind the line delineating the front lense assembly.  So I removed both of them.  Then I tried to unscrew the front of the lense.  It didn't budge.  So I found one of those grippy pads used to remove stubborn jar lids, and cranked away at it with that.  Success!  The front unscrewed smoothly.  Now that I had access to the back of the lense, it was simple enough to carefully remove all the fungus without damaging the antireflection coatings (as far as I could tell, anyway).  Then I screwed it back on.  Replacing the tiny setscrews was tricky, as they wanted to lie in their openings sideways.  I finally ended up lightly magnetizing the screwdriver and using it to place the screws in position.  That worked a treat, I replaced the screws, and the lense works properly!
&lt;p&gt;
With it, and the last sunshine before this afternoon's thunderstorm, I got some good shots of the character matrix, in acceptable focus from edge to edge (I have to photograph it edge-on due to the construction of the tube).&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=18033" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-18:358375:17799</id>
    <link rel="alternate" type="text/html" href="https://bodger.dreamwidth.org/17799.html"/>
    <link rel="self" type="text/xml" href="https://bodger.dreamwidth.org/data/atom/?itemid=17799"/>
    <title>My Life as a Clip Show 2011</title>
    <published>2011-09-26T15:33:48Z</published>
    <updated>2011-09-26T15:33:48Z</updated>
    <category term="entertainment"/>
    <dw:music>Crazy Train - Carbon Leaf</dw:music>
    <dw:mood>nostalgic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>1</dw:reply-count>
    <content type="html">&lt;a href="http://bodger.dreamwidth.org/2009/09/26/"&gt;Back in 2009,&lt;/a&gt;
I discovered I had some video editing software on my computer and used the "find video" function to find any video I had happened to
shoot with my camera.  I just stuck 'em together and tacked on some music, and chopped it off when I ran out of video.  It was
amusing, but awfully rough.  In the intervening time, I've learnt how to actually use the software, so now I have things right side up, cropped, brightness and colour tweaked, audio ducked appropriately, have a semi-coherent arrangement, and even have some semblance of sound synchronization.
&lt;p&gt;
As before, several of you appear.
&lt;p&gt;
&lt;a href="http://homepage.mac.com/jrehwin/Movies/ClipShow2011.m4v"&gt;157MB of clippy goodness @ 960&amp;times;540&lt;/a&gt;
&lt;p&gt;
&lt;a href="http://www.vimeo.com/29606307"&gt;Vimeo version.&lt;/a&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=bodger&amp;ditemid=17799" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
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